{"id":90601,"date":"2022-07-07T17:07:06","date_gmt":"2022-07-07T15:07:06","guid":{"rendered":"https:\/\/www.bachipedia.org\/?post_type=live_stream&p=90601"},"modified":"2022-08-09T06:28:37","modified_gmt":"2022-08-09T04:28:37","slug":"weltklasse-on-srf-2-kultur","status":"publish","type":"live_stream","link":"https:\/\/www.bachipedia.org\/en\/live_stream\/weltklasse-on-srf-2-kultur\/","title":{"rendered":"“Weltklasse” on SRF 2 Kultur"},"content":{"rendered":"
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\"Weltklasse\" on SRF 2 Kultur<\/h1>

Broadcast of the opening concert of the Appenzeller Bachtage festival 2022<\/h3><\/div>\n<\/div><\/div><\/div><\/div><\/div>
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\"Weltklasse\" on SRF 2 Kultur<\/h5>\n

In summer, SRF brings the great international concert halls to your home \u2012 a summer festival with classical, contemporary, jazz, and world music.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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CD Missa in tempore belli<\/h5>\n

Haydn's \"Missa in tempore belli\" \u2012 a classical composition for our times. Now available on CD<\/a>.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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\"Weltklasse\" on SRF 2 Kultur<\/h2>\t\t\t\t\t
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Broadcast of the opening concert recording on 25 August 2022 at 8 pm <\/p><\/div>\n<\/div><\/div><\/div>

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In summer, SRF brings the great international concert halls to your home \u2012 a summer festival with classical, contemporary, jazz, and world music. Featuring world-class concert and opera broadcasts from Switzerland and abroad.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Opening concert<\/h2>\t\t\t\t\t
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The Orchestra of the J. S. Bach Foundation is returning after several years to the Tonhalle St. Gallen \u2012 this time with a performance of Ludwig van Beethoven's \"Eroica\" symphony and Joseph Haydn's \"Missa in tempore belli\".<\/p><\/div>\n<\/div><\/div><\/div>

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Programme<\/h2>\t\t\t\t\t
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J. Haydn: Missa in tempore belli hob. XXII:9; L. v. Beethoven: Symphony No. 3, E-flat major, op. 55, \"Eroica\"<\/p>

In music history, there is a strong connection between the genesis of Beethoven\u2019s Eroica symphony and the composer\u2019s early admiration of Napoleon. Indeed, Beethoven had initially intended to entitle the work \u201cBonaparte\u201d, but he withdrew the dedication when Napoleon proclaimed himself emperor on 2 December 1804. Compositionally, however, the influence of French revolutionary music and Bachian polyphony was retained, and the first movement is particularly heroic in character. As such, we may assume that Beethoven, despite his inner conflict between cosmopolitan notions and Austrian patriotism, held fast to the revolutionary ideals of \u201cliberty, equality, fraternity\u201d. In a related vein, Joseph Haydn\u2019s \u201cMissa in tempore belli\u201d (Mass in Time of War) is also connected to the warmongering of Napoleon\u2019s times, and, as such, resonates with the current escalation in global geopolitical tensions. In this monumental work, the eruption of timpani drumming in the holy Agnus Dei setting is widely interpreted as representing the sabre-rattling of the French-Italian army, which in 1796, the year of the work\u2019s composition, indeed invaded Austria\u2019s Erblande territory.<\/p>\t\t\t\t\t

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Recording venue<\/p>

Tonhalle St. Gallen, Switzerland<\/p>\t\t\t\t\t

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Date and time of broadcast<\/h2>\t\t\t\t\t
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Broadcast on SRF 2 Kultur<\/p>

Thursday, 25 August 2022, 8 pm<\/p>\t\t\t\t\t

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Soloists<\/h2>\t\t\t\t\t
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