Bach & Brahms

BWV 027 // Special programme

In November 2024, the “With Brahms and Bach” tour took the Choir and Orchestra of the J. S. Bach Foundation, under the baton of Rudolf Lutz, to St. Gallen, Basel, Bern, Zurich, and Schaffhausen. Marking a departure from their usual repertoire, the ensemble performed a major work by the great Romantic composer – and devoted admirer of Bach – Johannes Brahms. The thoughtfully curated programme paired Bach’s cantata BWV 27 “Wer weiß, wie nahe mir mein Ende” (Who knows how near to me my end is) with Brahms’s A German Requiem, Op. 45, forging a musical bridge between the two composers and exploring the Romantic potential inherent in Bach’s oeuvre. Audiences enjoyed the opportunity to hear Brahms’s A German Requiem performed on period instruments—a rare event in today’s Brahms performance practice—and experienced how a Bach cantata may have sounded in the Romantic era.

Download Booklet of the digital audio release.

Audio

The sound recording of this work is available on several streaming and download platforms.

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Performers

Soloists

Soprano
Ana Maria Labin

Alto
Jan Börner

Tenor
Sören Richter

Bass
Peter Harvey

Choir

Soprano
Lia Andres, Alice Borciani, Maria Deger, Sybille Diethelm, Cornelia Fahrion, Katharina Held, Linda Loosli, Jennifer Riberio Rudin, Noëmi Sohn Nad, Alexa Vogel, Mirjam Wernli, Ulla Westvik

Alto
Anne Bierwirth, Nanora Büttiker, Judith Flury, Antonia Frey, Katharina Guglhör, Laura Kull, Francisca Näf, Damaris Nussbaumer, Alexandra Rawohl, Lea Scherer, Lisa Weiss, Sarah Widmer

Tenor
Marcel Fässler, Zacharie Fogal, Manuel Gerber, Achim Glatz, Florian Glaus, Matthias Lüdi, Joël Morand, Klemens Mölkner, Walter Siegel

Bass
Jean-Christophe Groffe, Serafin Heusser, Israel Martins, João Martins, Grégoire May, Valentin Parli, Philippe Rayot, Peter Strömberg, Tobias Wicky, William Wood

Orchestra

Conductor
Rudolf Lutz

Violin
Éva Borhi, Péter Barczi, Christine Baumann, Judith von der Goltz, Swaantje Kaiser, Markéta Knittlova, Jörn-Sebastian Kuhlmann, Petra Melicharek, Dorothee Mühleisen, Ildikó Sajgó, Sabine Stoffer, Lotta Suvanto, Lenka Torgersen, Aliza Vicente, Hannah Visser

Viola
Sonoko Asabuki, Lucile Chionchini, Matthias Jäggi, Anne Sophie van Riel, Rafael Roth, Regula Sager

Violoncello
Maya Amrein, Jakob Valentin Herzog, Bettina Messerschmidt, Stefan Mühleisen, Daniel Rosin, Esmé de Vries

Violone
Markus Bernhard, Dina Kehl, Guisella Massa, Miriam Shalinsky, Niklas Sprenger

Transverse flute
Daniela Lieb, Tomoko Mukoyama, Sophia Kind (Piccolo)

Oboe
Andreas Helm, Thomas Meraner

Clarinet
Ernst Schlader, Christine Foidl

Bassoon
Jani Sunnarborg, Susann Landert

Contrabassoon
Karl Nieler

Horn
Ricardo Rodríguez, Renske Wijma, Emmanuel Frankenberg, Daniele Bolzonella

Trumpet
Jaroslav Rouček, Karel Mnuk

Trombone
Christine Häusler, Max Eisenhut, Tobias Hildebrandt

Tuba
Alexander Rindberger

Timpani
Georg Tausch

Harp
Viktor Hartobanu

Musical director & conductor

Rudolf Lutz

Workshop

The concert programme was coupled with a broad educational initiative, incorporating school projects and interdisciplinary introductions to the music.

Ethicist Jean-Daniel Strub explored the topic of death in the digital age, psychologist Christina Röcke examined longevity, philosopher Barbara Bleisch reflected on the nature of transience, historian Anselm Hartinger investigated the culture of remembrance, and palliative care specialist Gian Domenico Borasio addressed the end-of-life process. These varied perspectives also served as inspiration for school groups, who created their own short videos documenting personal responses to the themes. The students’ contributions offered a powerful insight into how the younger generation engages with these profound topics, bringing their voices and viewpoints into the public sphere.

Insight videos

Barbara Bleisch
Rudolf Lutz
Gian Domenico Borasio
Anselm Hartinger
Christine Röcke
Jean-Daniel Strub

Kantonsschule Wohlen AG

Video 1
Video 2
Video 3

Kantonsschule am Burggraben SG

Video 1
Video 2
Video 3

Kirchgemeinde Nydegg BE

Download presentation

 

Reflective lecture

Downloads of the speakers’ texts (in German only) 

Gian Domenico Borasio
Anselm Hartinger
Christina Röcke
Jean-Daniel Strub

Recording & editing

Texts (booklet)
Anselm Hartinger

English translations
Alice Noger-Gradon

Layout Design
Studio Silvio Seiler / Grafik und Design GmbH

Photography
Yannick Andrea GmbH, Schweiz

Recording location
St. Johann Church, Schaffhausen, Switzerland, 5 November 2024, concert as part of the ‘With Bach and Brahms’ tour

Production
Gallus Media AG, Schweiz

Producer
Johannes Widmer, GALLUS MEDIA AG, Schweiz

Sound engineer
Stephan Ritzenthaler, GALLUS MEDIA AG, Schweiz

Recording editor
Stefan Ritzenthaler, GALLUS MEDIA AG, Schweiz

Label
J. S. Bach Foundation, Museumstrasse 1, 9000 St. Gallen, Switzerland, www.bachstiftung.ch, vertrieb@bachstiftung.ch

About the work

Bibliographical references

All libretti sourced from Neue Bach-Ausgabe. Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke, published by the Johann-Sebastian-Bach-Institut Göttingen and the Bach-Archiv Leipzig, Series I (Cantatas), vol. 1–41, Kassel and Leipzig, 1954–2000.
All in-depth analyses by Anselm Hartinger (English translations/editing by Alice Noger-Gradon/Mary Carozza) based on the following sources:  Hans-Joachim Schulze, Die Bach-Kantaten. Einführungen zu sämtlichen Kantaten Johann Sebastian Bachs, Leipzig, 2nd edition, 2007; Alfred Dürr, Johann Sebastian Bach. Die Kantaten, Kassel, 9th edition, 2009, and Martin Petzoldt, Bach-Kommentar. Die geistlichen Kantaten, Stuttgart, vol. 1, 2nd edition, 2005 and vol. 2, 1st edition, 2007.

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