Komm, du süße Todesstunde

(Come, O death, thou sweetest hour) for alto and tenor, vocal ensemble, flute I+II, strings and continuo. First performed in 1716, cantata BWV 161 (“Come, O death, thou sweetest hour”) is distinguished by a fresh style and sensitive interpretation that clearly indicate its composition during the “cantata spring” of Bach’s tenure as concertmaster of the … Read More