(Why wouldst thou then be saddened) for soprano, tenor and bass, vocal ensemble, transverse flute I+II, oboe d‘amore I+II, cornett, bassoon, strings and continuo Composed for the Seventh Sunday after Trinity in 1724, all movements of the cantata “Was willst du dich betrüben” (Why wouldst thou then be saddened) are based on the hymn of … Read More