Selig ist der Mann, der die Anfechtung erduldet

(Blessed is the man who bears temptation with patience) for soprano and bass, alto and tenor from the vocal ensemble, oboe I+II, oboe da caccia, strings and continuo Fittingly annotated by Bach as a “Concerto in Dialogo”, the cantata “Blessed is the man who bears temptation with patience” (BWV 57) again features a dramatic discussion … Read More

Jesus nahm zu sich die Zwölfe

(Jesus took to him the twelve) for alto, tenor and bass, vocal ensemble, oboe, strings and continuo “Note: this is the audition piece for Leipzig” – this note by one of Bach’s Leipzig copyists on BWV 22 “Jesus nahm zu sich die Zwölfe” (Jesus took to him the twelve) confirms that this cantata was composed … Read More

Wohl dem, der sich auf seinen Gott

(Blest he who self can to his God) for soprano, alto, tenor and bass, vocal ensemble, oboe d’amore I+II, bassoon, strings and continuo. The introductory choir to the chorale cantata “Wohl dem, der sich auf seinen Gott” (Bless he who self can to his God) demonstrates a particularly distinctive relationship between key, sound character and … Read More